MELANA
Poetry of one's self
“The personal is political.”
Unknown feminist author
Family relationships expand into human relations – human relationships towards its environment.
Meyko’s interest is family relationship and its impact on our lives. Family is a micro model of society. It’s an organize group that more or less sharing system of beliefs. They live with their beliefs about possible or impossible, right and wrong, relationships, logic and etc. It forms the first source of our information and shapes our knowledge and vision of the world.
Shearing her own story, she challenges this model of relationships and produces the notion of existence of other ways, possibilities of perceiving of our actions differently, which might be an alternative to those habits which we have taken unconditionally and naturally as our own. Sharing a personal story through symbolic images and metaphorical language the artist overcome her story. By this attitude she tries to change the perception of the past frustration.
Are we a product of our family? Society? Universe?
Installation
Paper, black and red pen, ashes of photos, sugar, honey water.
Drawings
Paper, black pen.
1996-1997
When I was 15 years old I used to write a lot. It was before I started to be interested in visual art. I was a very quiet teenage girl, never talking too much but always writing personal stories, poems, lyrics etc.… Once when my mother secretly read my writings, it caused the conflict between us. I guess she was just scared that I would hide things from her, that instead of talking to her I would only write. And so she would never find out if I had any problems or difficulties as a teenage girl. I really felt that I failed her expectations and in some way closed myself to her. That is why one day I collected all I had, all my writings, papers and burnt them. It was my proud sacrifice - returning to my mother. After that I completely stopped writing and came to the idea that I could not write properly and that I don’t have any talent.After some time I started to draw on paper very symbolic drawings with black pen, but without conscious understanding of what was going on deep in myself. Unconsciously I changed the way I used to express myself and made my new language veiled from my mother. When it came to my mind that it was similar to what I was writing before I eventually stopped creating such kind of drawings. After all these years, I understood, that through this action of prohibition to write, my mother has committed an act of (symbolic) castration. This sort of castration might prevent us from joy, pleasure of writing, pleasure of creating or even sexual pleasure.